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Next of Kin

by Aarmadillo

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1.
you were freezing out of the direct sunlight and you prayed for it to come right back, and when it did... you could breathe a little more, just a little more, counting every sip of air that you could steal from around one, two, three, four, five, six, seven, eight you were brave, along the bumpy road, you did it all by yourself, believe me, I was there and I saw you tame it, and take control of it, the monster under the bed, that unnamed nasty beast, the void... the one that swallows you the light breeze, the fields of golden wheat the hard light on the land the curvy little roads, the houses made of stone in a dense undergrowth all is quiet and old my grown-up little sister planted in crumbled ground oh, you were dry and bound, a flower despite the rocks all the petals she lost, a flower despite the rocks he loves me, he loves me not, he loves me he loves me not, he loves me...
2.
oh oh! t'es là, tu te tiens bien droite pas un faux pas, tout le reste penche et tu vacilles, la main sur la hanche face au miroir, la barre est bien haute et sous tes pointes, les planches s'estompent comme le contour les îles quand la marée monte les portes s'emmurent, les murs s'emportent et là, tu flottes, plus rien ne te porte tu entres en transe en lançant dans les airs tes deux grands bras ouverts tu descends de ta boîte et remontes ta clé le ressort est tendu tu peux enfin rentrer tourner, y retourner...
3.
Bloodline 04:51
I wanna read the lines in the palm of her hand and I wanna search the landscape carved into it and I wanna know which of these trees she's hiding in she's a bit like a cat, she went too high, she cannot climb down oh just tell me where is my sister I wanna see her I have to tell her that if the evergreens around us tumble down in a deep silence she can always come and find shelter here with her kitten and her man maybe we'll hang on, on this bare piece of land maybe we'll hang on, on this bare piece of land my arms are a blanket in the cold night I keep her secret, like when we were nice 'til the silence is broken by her soft purr then we forget where we came from I doubt there even is such a place we learn to leave without leaving a trace I wanna read the lines in the palm of her hand and I wanna search the landscape carved into it and I wanna know which of these trees she's hiding in she's a bit like a cat, she went too high, and cannot climb down
4.
tu sais, ma soeur, j'ai l'âme tordue je suis donc devenu comme toi: tortue car rapace, c'est bien trop dur et mammifère, j'peux pas m'y faire le reptile en moi se réveille et avance une patte millénaire arrache les arbres et autres lierres qui lui sont poussés au travers depuis le temps qu'j'suis immobile depuis que je n'ai plus d'nombril les rochers devenus immeubles autour de moi me font de l'ombre et je ne serai pas du nombre de ceux qui restent plantés là dans la poussière et les gravats bouge ta carcasse, me dis-je avant que ton sang froid ne fige! (il se transformerait en plâtre empêchant ton coeur de battre) jusqu'au rivage la route est longue... il y a la plage qui m'attend je rêvais sans forcer le pas qu'ce fût la mer qui vienne à moi et elle dit: avec les changements de climat le début de la fin des temps c'est sûrement ce qui arrivera l'océan reprendra ses droits et les tortues prendront le large "our hare had scarce five jumps to make, of such as he is wont to take, when, starting just before their beaks he leaves the hounds at leisure, thence til the kalends of the Greeks, the sterile heath to measure. thus having time to browse and doze, and list which way the zephyr blows, he makes himsefl content to wait, and let the tortoise go her gait in solemn, senatorial state" little by little, the flood comes to me it will cover my tracks... eventually
5.
the bottom of my pants is torn and stained with brambles and grass when I lead you through the branches, down the path and we come across an opening, where the horses are running and hiding and our fingers, stained with wild raspberries, interwoven blended together in a symmetrical pattern we're fighting flies and slippery stones as we go deeper into the wild, and you follow me with a smile you lift your head up, yeah! look up, at the mighty cathedral with its green and yellow stained-glass windows all around ten thousand creatures singing forever the sweet and complex melody of the forest, just for us we're here, in this sanctuary, immaculate, unstained, a perfect blend of impossible colors you lift your head up, yeah! look up, at the mighty cathedral with its green and yellow stained-glass windows all around you lift your head up, yeah! look up, at the mighty cathedral with its green and yellow windows all around
6.
Polaroid 03:19
I don't remember, but I know you used to sing me a lullaby sitting by the giant fireplace I've got an old picture to prove it! and I can hear the fire crackling just looking at this polaroid the colors are softly fading I watch until it's all destroyed there was no better summer time the biggest skies I've ever saw we'll still be kids no matter what until we are over-exposed we're already half in the clouds and we're getting there too fast way too fast...
7.
le sable noir nous brûle les pieds pour que l'on courre plus vite vers l'eau le soir nous sentons notre cuir salé et tanné se tendre dans le dos le sable fin nous pique les yeux des trombes d'eau tombent des cieux les terres inondées qu'il faut traverser et les sangsues qui s'aggrippent aux pieds invisible, l'insomnie tourne en rond, prisonnière dans le drapé de la moustiquaire comme nous... retenus sur cette île entre les quatre murs de la mer remets tes lunettes de sommeil au placard la végétation semble tout avaler les tortues qui passent et le chant des marées l'humidité dense et le cri des insectes notre adolescence et tout ce qui l'affecte noyée dans les déferlantes l'écume des Portes d'Enfer

credits

released February 1, 2014

double bass: Stéphane Diamantakiou
keyboards: Jakub Zapotoczny
drums: Tiburce Perlau
back vocals: Elsa Robert
recorded and mixed at Mountain City by Joseph Donovan,
between june 2013 and january 2014
produced by Joseph Donovan and Alexis Robert
mastering by Ryan Morey

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Aarmadillo Montreal, Québec

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